The internet is chaos. Most brands vanish in it.
Using AI-driven video, we create campaigns that interrupt habits and demand attention. Our roots are in film, television, and advertising. Meaning: we know how to grab people by the eyes. Any genre. Any style. Any format. If it stops the scroll, that’s our territory.
America Frech Commercial
What happens when an action hero faces a domestic problem?
When a man who lives in “mission mode” realizes his home has run out of America Fresh, he does what he knows best: he turns a simple errand into a full-scale operation.Car chases. Near crashes. Impossible maneuvers.
All for the best detergent.
America Fresh. Worth it.

Paloma Season 1 Trailer
1980s Madrid. A city built on silence. Paloma was never supposed to remember, or find the box that proves why. Now, every memory is a trigger, and every shadow hides someone sent to take her out. PALOMA, the hunt begins when the past wakes up.

Paloma Season 1 Episode 1 "The Box"
1980s Madrid. Heat, chaos, and a secret that should’ve stayed buried. PALOMA was never meant to exist, but now she holds the box everyone’s been hunting for decades. They’ll burn the city to find it. She’ll burn them first. This is the first one of many episodes made with Ai by a team of two, one in Spain (Benjamin Muñoz) and one in Canada (Me). Welcome to the present.

Coca Cola Spec ad
No Santa. No cozy clichés.
Just a man getting his face slapped by a blizzard while dragging a crate like he’s hauling the last heartbeat of Christmas through the apocalypse.
A dogsled battle march straight into the void.
Made in three days with AI, chaos, stubbornness, and enough digital snow to drown a small country.
No permission. No playbook. No branding babysitter.
This isn’t a Christmas ad.
This is Coca-Cola dragged through a war zone,
and still coming out legendary.

Coca Cola Spec ad BTS
I wanted something cinematic, something that made people stop scrolling because it didn’t feel like an ad at first. I treated this like a film, not an ad, and let the tools evolve with the idea. I hope this helped, cheers!!

ROOM 47 — Official AI Short Film
In every system, there’s a room you’re not meant to see.
Built for Gen HQ, this is a fully AI-generated dark-humor short about a man, a comment, and the machine that decides he’s crossed the line. Yesterday he was fine, today he’s a statistic. That’s how fast the rules shift when the system writes them… and rewrites them.
Made with: AI video, AI voiceover, AI chaos. No budget. Questionable morals. Lovely.
If you enjoy dystopian dark comedy, cinematic AI experiments, or just watching bureaucracy get way too enthusiastic… you’re in the right place.
Welcome to Room 47. Mind the mirror.

A Christmas Story (Without the Decorations)
The film was created using AI as a creative tool, not to automate storytelling, but to expand it. AI made it possible to visualize centuries of history, connect moments through continuous motion, and approach a familiar story from a new perspective. Every choice, what to show, what to leave out, where to slow down, was guided by human intention.
This project embraces the same idea at the heart of Christmas itself:
technology changes, tools evolve, but the story remains.
At the center is still the same truth, Christmas is not about what we build or achieve.
It’s about what was given.

Avellaneda Music Video
This is Avellaneda, a music video for legendary Argentinian band Inmigrantes — built from scratch using nothing but AI tools and a wild imagination.
No lights. No sets. Just me, a laptop, and a bunch of bleeding-edge tech.
AI isn’t replacing creativity. It’s amplifying it.
If you’ve got a song, brand, or story, I can turn it into something that looks like it cost $100K, without the $100K.

AI animation test
This was a creative test built with MidJourney and Pika, edited in Premiere Pro, with sound design powered by ElevenLabs — and my own voice to bring it home.

Eyes of Fire
Short film created for Impact Theory Entertainment as a teaser for their upcoming Merry Modz feature.
Worked directly with Tom Bilyeu, Matte, and Francisco Herrera on the vision, story, and creative direction.
Built a bold, cinematic teaser — in record time and on a razor-tight budget.
Big ideas. No excuses.

2024 Reel
I’ve spent decades bouncing between film sets, art studios, tech labs, and whatever new creative battlefield shows up next.
My job is stupidly simple: Hijack your audience’s attention and make them feel something before they even know why. Brands come when they want work that gets shared, remembered, talked about, replayed, and drives real results.
I build cinematic, high-impact content using Ai at the speed and scale modern brands need, without losing the soul, the story, or the punch.
If your idea is ambitious, weird, impossible, or looks like a bad decision on paper,
that’s usually where the good stuff starts.

Contact Us
Get in touch to discuss your motion graphics needs and watch our captivating video showcase.
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joss@jossmonzon.com
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